Why Your Subjects Look Stiff: The Posing Problem That Starts Before You Touch the Camera
The Shot That Almost Wasted a Full Studio Day I had a corporate client fly in from New York for a half-day executive portrait session. The lighting was dialed in before they arrived: a 48-inch Octa as the key at roughly 45 degrees, a strip box camera-left for edge separation, a kicker behind the subject at about 1/8 power. Ratios were solid. The set looked great on the tethered monitor.