Video Tutorials
How to Light a Moving Camera Shot Through a Car at Night (Without Wrecking the Take)
Every time I take a commercial job that moves out of my studio and onto a real location at night, the same problem lands on my lap: how do you build consistent, motivated light across a physical space when the camera itself is moving? Controlled environments are where I live. Masking tape on every fixture, a lighting diagram sketched before the crew arrives, modifiers tested the afternoon before call time. But the second the shot requires the camera to travel from one side of a set piece to the other, that methodical approach gets stress-tested fast.