Video Tutorials
Inside a Working Headshot Studio: What Shirin Tinati's South Bronx Space Teaches Us About Intentional Setup
There is a particular kind of exhaustion that comes from shooting in a space that fights you. Wrong traffic flow between the lounge and the shooting area, nowhere to hang a backdrop without breaking down another light stand, clients sitting in a chair that faces a chaotic pile of gear instead of something that calms them down. I have shot in spaces like that, and the work always shows it, not dramatically, but in that subtle tension clients carry when they don’t feel settled.