Video Tutorials
How to Balance Strobes with a Setting Sun (A Three-Variable Formula That Actually Works)
There’s a specific kind of panic that sets in when you’re on location, the sun is dropping fast, and your strobes and the sky refuse to cooperate. I’ve had shoots where the background went completely nuclear orange while my subject looked like she was lit by a hospital fluorescent. Other times I’ve crushed the ambient into near-darkness trying to control it, and the whole image looks like a bad composite. For years I treated sunset shooting as a guessing game, adjusting everything at once and hoping something clicked.