Video Tutorials
Every Modifier Has a Job: What Zack Arias Taught Me About Controlling Light
I keep a lighting journal. Every shoot, I sketch the setup on paper before I pack down the gear, because after twelve years of commercial work I’ve learned that what I think I’ll remember and what I actually remember are two very different things. The journal is full of shorthand I invented myself, modifier symbols and power ratios and notes like “too specular, next time go bigger.” What it took me years to understand is the principle underneath all those notes: the tool you choose isn’t an aesthetic preference, it’s a technical decision.