Video Tutorials
Shooting on a Cyclorama: What Nobody Tells You Before You Book the Studio
There is a specific kind of panic that hits when you’re forty minutes into a commercial shoot and you can see the edge of your background in the frame. Your talent is ready, your strobes are dialed in, and you’re burning through your shot list. But the white vinyl is doing that thing vinyl always does: it has a faint crease running across the lower third, and no amount of gaffer tape is going to save you.