Three Ways to Use Studio Lights Outdoors Without Blowing Your Sky
Most of my work happens indoors, where I control every variable. I know exactly what my key light is doing, I know where the shadows fall, and if something looks wrong, I can fix it in thirty seconds. Take me outside at magic hour with a strobe and a subject, and for a long time I made a mess of it. The sky would blow out the moment I exposed for my subject’s face, or I’d pull down the exposure to save the background and end up with a subject who looked like a silhouette cut from black paper.