How to Balance Strobe Lights Against an Evening Sky (A Real-World Breakdown)
There is a narrow window at dusk, maybe twenty minutes on a good night, where the ambient light from a city and the last color in the sky exist at roughly the same exposure level. If you have a subject to light in that window, you can create something that looks genuinely cinematic. Miss it by fifteen minutes in either direction and you’re either fighting the sun or shooting in the dark.