Lighting Equipment

Inside KL Taylor's Studio: What a Purpose-Built Photography Workshop Space Actually Needs
Video Tutorials

Inside KL Taylor's Studio: What a Purpose-Built Photography Workshop Space Actually Needs

Every few months I get a message from someone asking what they should look for in a photography workshop. My answer has always been the same: look at the space before you look at the curriculum. A bad room with great instruction is still a bad workshop. I learned that the hard way after attending a “professional lighting” seminar held in what was essentially a carpeted conference room with nine-foot ceilings.

The Honest Starter Kit: What Studio Gear You Actually Need to Start Getting Paid
Video Tutorials

The Honest Starter Kit: What Studio Gear You Actually Need to Start Getting Paid

Every few months someone emails me asking what gear they need to start shooting professionally. My honest answer used to be long, expensive-sounding, and probably discouraging. The truth is simpler than most people expect, and a recent tutorial from Jay P. Morgan over at The Slanted Lens lays it out better than I could have said it myself. Watch the full tutorial on YouTube before or after reading this – either order works.

What to Actually Buy First: A Working Photographer's Take on the Slanted Lens Studio Starter Guide
Video Tutorials

What to Actually Buy First: A Working Photographer's Take on the Slanted Lens Studio Starter Guide

Every few months someone emails me asking what gear they need to start shooting paid work. For years I sent them a list I’d cobbled together from memory. The problem with that approach is that my memory is calibrated to someone who’s been shooting commercial and editorial work in Los Angeles for nearly two decades. What I think of as “basic” is not what a beginner should spend money on first.

How to Build a Real Working Studio on $1K, $2.5K, or $5K (A Gear Breakdown That Actually Makes Sense)
Video Tutorials

How to Build a Real Working Studio on $1K, $2.5K, or $5K (A Gear Breakdown That Actually Makes Sense)

One of the questions I get more than almost any other, from assistants on my commercial shoots and photographers at workshops, is some version of: “I want to set up a studio. Where do I even start?” The problem with most gear guides is that they either assume unlimited budget or they recommend the cheapest possible option without thinking about what you’re actually trying to produce. What I appreciate about JP Morgan and Lars Lindstrom at The Slanted Lens is that they approach gear the way a working photographer actually thinks about it: budget first, priorities second, compromises third.

Deep Focus Umbrellas Under the Microscope: What the Price Tag Actually Buys You
Video Tutorials

Deep Focus Umbrellas Under the Microscope: What the Price Tag Actually Buys You

Every modifier purchase I make goes through the same test: I unbox it, mount it, fire a strobe through it, and write down exactly what I see before I shoot a single frame with it. I’ve been burned too many times by gear that looks impressive in a product photo but produces muddy, unflattering light on a real subject. So when the deep focus parabolic-style umbrella kept coming up in conversations with other commercial shooters, I went looking for a rigorous comparison, not a marketing demo.

Packs, Monoblocks, and the Long Road to a Lighting System That Actually Works for You
Video Tutorials

Packs, Monoblocks, and the Long Road to a Lighting System That Actually Works for You

I spent years shooting with the same lighting system out of inertia. Not loyalty, not satisfaction — inertia. Switching meant replacing modifiers, learning new mount systems, retiring gear that still technically worked. So I kept renting when a job demanded something my kit couldn’t deliver, telling myself it was more practical than committing to a full system change. It wasn’t until I started losing hours on set to workarounds that I finally admitted the system was slowing me down.

Studio Grip for Minimalists: What Daniel Norton Actually Keeps in His Kit (And What You Can Cut)
Video Tutorials

Studio Grip for Minimalists: What Daniel Norton Actually Keeps in His Kit (And What You Can Cut)

I spent years accumulating grip. C-stands, baby pins, 40-pound bags of clamps I touched twice a decade. When you work commercially, the instinct is to own every solution before a problem shows up on set. The problem is you end up hauling a rolling warehouse to every job and spending 20 minutes digging for an A-clamp buried under a sand bag. What actually changed my thinking was watching working professionals talk honestly about what lives in their kit versus what sits on a shelf.

Fresnels, Pico Heads, and Projection Attachments: The Specialist Studio Lights Worth Understanding
Video Tutorials

Fresnels, Pico Heads, and Projection Attachments: The Specialist Studio Lights Worth Understanding

There is a category of studio lighting equipment that most photographers scroll past on gear websites because nothing in their training ever explained what it actually does. Softboxes, octaboxes, standard reflectors with honeycomb grids – those get covered in every introductory course. But fresnels, pico heads, and projection attachments? Those tend to sit in the background of behind-the-scenes photos, looking mysterious and expensive, with no one explaining why a working photographer would choose them over more familiar modifiers.

C-Stands, Sandbags, and Seamless Paper: Building Your First Real Studio from Scratch
Video Tutorials

C-Stands, Sandbags, and Seamless Paper: Building Your First Real Studio from Scratch

Every time I walk into a new studio rental, I do the same thing: I look at the stands first. Not the lights, not the backdrops, not the camera mount on the ceiling. The stands. After years of commercial work, I’ve learned that the bones of a studio, the stuff that holds everything else up, determine how fast you can work and how much you can actually do in a given space.

Godox TT600 vs Neewer 660 LED — Choosing Your First Studio Light
Gear Reviews

Godox TT600 vs Neewer 660 LED — Choosing Your First Studio Light

Godox TT600 vs Neewer 660 LED — Choosing Your First Studio Light I’ve spent the last eight years recommending lighting gear to photographers stepping into studio work, and I can tell you with certainty: the first light you buy shouldn’t be your dream light. It should be your learning light. That’s where budget options like the Godox TT600 Speedlite Flash and the Neewer 660 LED Video Light 2-Pack Kit come in.