Video Tutorials
One Desk Lamp, One Subject, Zero Excuses: What Project 3 Taught Me About Lighting Control
I’ve been shooting commercial and editorial work long enough to know that the worst thing you can bring onto a set is too much gear and not enough understanding. Last month I was prepping a beauty campaign, nothing complicated on paper, one subject, neutral background, clean skin. I pulled out three lights before I caught myself. I was stacking modifiers to solve a problem I hadn’t even diagnosed yet. I put two of them back and started from scratch with one source.